River Don Engine, Sheffield
Group: Poets contacted via The Poetry Business, Sheffield
Heritage expert: Museum staff, and exhibits
Artist: Tara Bergin
The group visited the River Don Engine 8th May 2025
7 poets went to see the amazing River Don Engine in Sheffield. Here are their creative responses to the most powerful steam engine in the world, built in 1904 We heard from local engine experts, examined the exhibits, and Tara Bergin led a writing workshop - The Spell Of Steel.

The Spell Of Steel
SEVEN OBJECTS
The Spell Of Steel - 7 poems
YOU WANT YOU GET
A Short History of Anglo-German Relations, 1888–1945
​
As armour plate might mitigate
the impact of a dreadnought shell,
so the smell of iron provides balm.
The opening of a valve stammers
a hiss, grave as a bayonet blade
sprung from an ox-horn handle.
A hardness testing machine
drives home its diamond stylus
deep into a soldier’s diaphragm.
Injured fingers twice ting the bell
of SMS Helgoland, built in 1909
for the German Imperial Navy.
They ting a third time, on a 26-foot
Grand Slam bomb, manufactured
to magick earthquake and firestorm.
​
Matthew Paul
TimeSprint
(At Kelham Island Museum)
In this part of Sheffield
Everyday living is hushed
And the rumbles of the past
Have ceased their rolling
A black foundry bucket,
Tall as a house,
Looms empty
Weighty with dreams of the molten steel
That used to ooze and spark from its lip.
The museum itself is a tomb
Of dustlessness,
Perfumed with engine grease;
Hissing with air that fizzes
A mechanical sibilance
Within which are subdued screeches
Of metal, whispering
We are herded
Ourselves
Our thoughts
To this hall.
We wait. We look
There is a bell to be strummed
With fingertips
A tank-like panel of steel
To wonder at-
Thicker than a big man's hand-
There are boards to be read
Or not read
Anticipation
Inhale, exhale
Breathe in, breathe out,
Seethe and shimmer
Above all, an engine to consider
Taking up so much space as to be part of it.
Thin copper pipes
Gleam like a festival
Chasing round paintwork
Of green and red
Across the balustrade there
That hulks over a shadowy recess
Where pistons lurk
​
Midday.
The guardian speaks
We are primed
The engine is primed
The race is on
An industrial pumping buzz of metal and steam
Smell of wintergreen, fizzing, a hum
Bass-note of thunder, a whack
between the eyes and ears
Energy: Power: Energy
High velocity nozzles and flow
Pistons move
Thrusting sinuously
in circular motion
Power: Energy: Power
Two minutes of absolute history
Whack, thunder
Buzz, steam, metal
Pistons move
Sinuously
Subside at the appointed time
In a post-mechanical haze
We.
We are left dazed
And still wonder:
What of the folk
For whom such rhythms
Were life and livelihood?
Should we lament or admire?
This industrial relic
With its licence to roar
Two times each day
Without any purpose
Is a ferocious machine
Still of such power
As to leave us gasping.
​
​
Tracy Twell
Found Poem
Marsden Bros & Co
Bridge Street Works, Sheffield.
Joiner’s Tools,
edges,
axes, adzes, augers,
plane irons,
braces,
squares,
revils,
centre bits.
Gimlets, saws, spokeshaves.
Mortice gauges, bung borers,
cast steel socket chisels.
Carpenters’ and Coopers’ drawing knives,
Bricklayers’ and Plasterers’ trowels
and the celebrated
Steel Bright hay, manure and digging forks,
garden shears,
pen,
pocket,
and table cutlery,
razors,
scissors,
etc.
James Caruth
The Language of Others
Seconds sons
who left the farms,
the meagre fields
to come here
looking for work.
I see them
on those dark
winter mornings,
pouring through the gates
to glowing rivers of steel,
a sky lit with sparks.
They kept their heads down,
listened to every word
the foreman said
but on Tuesdays
they spoke Irish.
James Caruth
The Silent Words
I cross the cobbled yard
by the Bessemer Converter,
a rusting egg.
A man with a badge
asks me where I’m going.
I look at a tiny red sign
on the wall behind his head –
Caution. Men Working.
The wide hall is empty
but for the most powerful
steam engine in the world.
It fills the room, painted iron
and polished steel, the chrome
crankshafts gleaming. I see it then,
their slow acceleration,
the piston’s hiss and thrust,
the deep drumming gathering speed.
Stories of the past, the silent words
lost to history.
James Caruth.

